MIMMO ROTELLA
Al Sole, 1966 Photo emulsion on canvas 42 x 64 cm Private collection
SUSAN ROTHENBERG
Price : 29 000€
PAUL REBEYROLLE
Truites, 1952 Huiles sur panneau de bois 57,5 x 13 cm Price : 4000€
PAUL REBEYROLLE
Truites, 1952 Huiles sur panneau de bois 57,5 x 24 cm Price : 5000€
ALEXANDRE LENOIR
Sans titre ou Hommage aux Femmes, 2021 Impression jet d’encre ultrachrome sur papier Dimensions : 57,7 x 77,8 cm Epreuve d’artiste E.A signée en bas à droite et au dos Encadrement verre anti reflet + rehausse
MARIE LAURENCIN
Michel Thomas, 1949 Huile sur Bois27,5 x 21,5 cm ( hors encadrement) Provenance:Collection Monsieur Thomas Châtel-Guyon Collection Privée, Paris LittératureCatalogue Raisonné, Marie Laurencin : Numéro 878, page 353 Price : 28 000€
CARMEN HERRERA
Untitled, 2012 Acrylic and pencil on paper 19% × 27 % in (48.9 × 69.1 cm) Provenance The artistLisson Gallery, MilanAcquired by the present owner from the above, 2013 Exhibitions Milan, Lisson Gallery, Carmen Herrera: Works on Paper 2010-2012, January 25-March 15, 2013, pp. 62, 64, illustrated Price 175 000€ Description The primary support is a piece of machine-made wove paper. The composition is executed in acrylic paint along with graphite pencil. The paper was first coated with a white preparatory layer. There is evidence that the artist used tape to mask off the straight lines that appear within the main composition. The very regular and slightly bumpy surface of all of the paint films suggests that, after the various shapes were masked off with tape, the paints were applied with rollers. Pinholes at the corners are presumably artifacts of the artist’s process. The work is signed and dated at bottom right in graphite pencil. Examination The work was inspected unframed using a high-powered LED light source, magnification, and UV illumination. Overall condition The artwork is generally in very good and physically stable condition. Condition notes The surfaces are clean, unblemished, and free of staining. The paper is bright and appears to show very little to no overall toning consistent with its age. The sheet is structurally sound with no indication of tears, losses, or earlier physical repair. The sheet is generally planar in keeping with what is normal for works on paper, especially those executed so broadly in wet mediums such as this one. There are occasional handling dents visible in the right half of the work when viewed with raking light along with some low deformations at the edges that are associated with the current hinges. The applied mediums are in very good and undisturbed condition. There is no indication of loss, weakness, or retouching. The colors are bright and saturated. The UV examination did not reveal anything further of note and provided additional visual support for the observations above.
Genieve Figgis
Dinner, 2020 Acrylic on Canvas 120 x 200 x 4 cm Provenance : Private collection Price : 150 000 €
RAOUL DUFY
Le tournant de la promenade des anglais, 1930 triptyque, huile sur panneau 14 9 x 33,7 cm Price : 45 000 €
Niki de Saint Phalle
Nana Waldaff (Last Night I had a Dream), 1968Signed on the reverseFiberglass relief with painted polyester 48 1/4 x 37 x 8 inches122.56 x 93.98 x 20.32 cm Provenance Sotheby’s, NY, Contemporary Art, Part II, Lot 340, May 19, 1999 Private Collection, CA Exhibition 1971 Niki de Saint Phalle, The Devouring Mothers and other sculptures, Galerie Espace, Amsterdam, NL 1972 Niki de Saint Phalle, The Devouring Mothers, Gimpel Fils, London GB (no 6) 1973 Niki de Saint Phalle, The Devouring Mothers, Gimpel & Weitzenhoffer Gallery, New York Filmographie Kunstsignalering (Calling Attention To Art), Nederlandse Omroep Stichting Literature Niki de Saint Phalle Catalogue Raisonné 1949-2000, Vol. I, by Editions Acatos, 2001, #505